记录我如何把模糊的想法，变成可以使用、理解和继续迭代的东西。Notes on turning fuzzy ideas into things people can use, understand, and keep improving.
部分文章目前仅提供中文正文。Some article bodies are currently available only in Chinese.
把文章逻辑直接转成黑底霓虹绿节点拓扑，再配上 HUD 边框、数据面板和系统状态行，形成统一的赛博终端示意图。Turn an article’s logic into a neon-green node topology on black, framed by HUD panels, data readouts, and system status lines.
用简单物件、克制配色、自然阴影和轻微手工质感，把文章主题转译成安静治愈的静物封面与配图。Translate an article into calm still-life visuals through simple objects, restrained color, natural shadows, and a lightly handcrafted texture.
把人物压缩成简洁色面，用夸张比例、克制配色与细密颗粒重绘为具有手工感的纹理平面人像，并附提示词与 Skill。Reduce a portrait to simple color planes, then use exaggerated proportions, restrained palettes, and fine grain to create a tactile flat illustration.
利用高饱和前进色与低存在感后退色的视觉差，让平面标题和背景产生分层，做出不依赖设备的裸眼 3D 封面效果。Use the visual separation between saturated advancing colors and quieter receding colors to make flat titles appear detached from their backgrounds without special hardware.
现在很多官网长得越来越像同一个模板：柔和渐变、圆角卡片、玻璃拟态。 虽然看起来精致，如果只看一张截图，很难分清是哪家产品，更有甚者，vibe一个界面就拿出来了，丑的让人看不下去。Many websites now look like the same template: soft gradients, rounded cards, and glassmorphism. They may look polished, but a screenshot makes them hard to tell apart—and vibe-coded interfaces can be ugly enough to stop you looking.
Plakatstil 风格值得拆解的地方就在这里，删掉复杂场景，删掉故事背景，删掉长文案，只保留一个被强烈简化的商品或物体，再配一个极短的名称。Plakatstil is worth breaking down because it removes the complex scene, story, and long copy, leaving one strongly simplified product or object with an extremely short name.
真的不是红黄蓝的几个色块就叫包豪斯了... 更何况颜色也是要搭配的。Bauhaus is not just a few red, yellow, and blue blocks. Even color needs to be paired deliberately.
瑞士国际主义，也常被称为 International Typographic Style / Swiss Design，是二战后瑞士和德国设计师将现代主义平面设计进一步系统化形成的视觉传达方法。Swiss International Style, also called International Typographic Style or Swiss Design, was a visual communication method systematized by Swiss and German designers after World War II.
去过的城市，不能只躺在相册里。 做成一张能收藏、能发出去的旅行明信片 手写城市名、地标拼贴、邮票邮戳，一张顶一篇游记。Cities you have visited should not live only in a camera roll. Turn them into collectible travel postcards: handwritten city names, landmark collages, stamps, and postmarks—a single card that tells a whole travel story.
你有没有过这种经验：写了几百字的提示词，结果 AI 出的图乱七八糟：风格杂糅、画面油腻、构图四不像？Have you ever written hundreds of words of prompts only to get chaotic images from AI—mixed styles, greasy surfaces, and compositions that do not belong together?
从删减、留白和比例出发，重新理解少即是多为何能成为经久不衰的设计哲学。Starting with reduction, negative space, and proportion, a fresh look at why less can become a design philosophy that lasts.
提示词实测篇：用结构、约束和明确方向，让 AI 的视觉输出更稳定。A prompt field test: use structure, constraints, and a clear direction to make AI’s visual output more stable.
有一句话叫 “Garbage In, Garbage Out” (垃圾进，垃圾出)，如果你给AI的指令模糊不清，它只能给你返回一个平庸、安全的“万金油”答案。因此详实清晰的指令是非常重要的一点。There is a saying: “Garbage In, Garbage Out.” When your instructions are vague, AI can only return a bland, safe, all-purpose answer. Clear, detailed instructions matter.
